In the 1970s and 80s, William Gibson, the “Godfather of Cyberpunk,” rejuvenated science fiction. In groundbreaking works such as Neuromancer, which changed science fiction as we knew it, Gibson provided us with a language and imaginary through which it became possible to make sense of the newly emerging world of globalization and the digital and media age. Ever since, Gibson’s reformulation of science fiction has provided us not just with radically innovative visions of the future but indeed with trenchant analyses of our historical present and of the emergence and exhaustion of possible futures. Gibson is frequently—rightly—described as one of the most influential writers of postmodernism and after, yet his body of work has only been studied selectively and without full recognition of its implications for literature and culture beyond science fiction. It is high time for a book that fully explores the significance and wide-ranging impact of Gibson’s fiction.
“This rich and overdue collection is worthy of its subject. The editors have put together a multi-faceted consideration of Gibson’s writings that focuses, in particular, on motifs of temporality, technology, and futurity. Its chapters expertly locate both Gibson and science fiction within the longue durée of the future-present.”
— Veronica Hollinger, editor, Science Fiction Studies
“Knee-deep in the Jackpot, with nothing but a Hermes 2000 portable typewriter, precise observation, and surgical prose, William Gibson, a one-man singularity, somehow made it all new. Nothing now looks the same. This excellent collection returns the favor: Gibson, historicized, is the Gibson we already knew, but the timeline is not what we imagined.”
— Mark Bould, University of the West of England, Bristol
“William Gibson is the writer who taught the world that science fiction is the realism of our time, and it’s his books that made that true. A crucial figure in our cultural history, a poet with a good eye for pattern recognition.”
— Kim Stanley Robinson, author, The Ministry for the Future
"Genres of Empire: An Introduction," College Literature
"How to Write a Novel in the Present-Indefinite: Charles Yu, Mohsin Hamid, and Science Fiction as Critique," College Literature
"Everything Possible with Everything Given," Public Books
"David Mitchell's Storytelling and the Metalife of Utopia," ASAP/Journal
"Thinking Polyphonically: A Conversation with David Mitchell," Los Angeles Review of Books
"The Worst of All Possible Worlds?" Public Books
"On Imagined and Science Fictional Futures," Mediations
"The Work of Art in the Age of the Superhero," Science Fiction Film and Television
"Realism, Genre, and the Literary Superhero", ImageTexT